| . |
| Philip |
|
Frazier |
| . |
| . |
| Tuba
|
|
| . |
| Derrick
|
| (KABUKY) |
|
Shezbie
|
| . |
| Trumpet
|
|
| . |
| Glen |
|
Andrews |
| . |
| . |
| Trumpet
|
|
| . |
| Stafford
|
| (FREAKY PETE) |
|
Agee
|
| . |
| Trombone
|
|
| . |
| Keith |
|
Frazier |
| . |
| . |
| Bass
Drum
|
|
| . |
| Vincent |
|
Broussard |
| . |
| . |
| Saxophone
|
|
| . |
| Derrick
|
| (BIG SEXY) |
|
Tabb
|
| . |
| Snare
Drum
|
|
| . |
| Byron
|
| (FLEE) |
|
Bernard
|
| . |
| Saxophone
|
|
| . |
| Corey |
| Henry |
| . |
| . |
| Trombone
|
|
|
Simply put, The ReBirth Brass Band is an institution. Formed in 1983, the band has long since graduated from the streets of New Orleans to theaters and festivals all over the world. ReBirth is committed to upholding the tradition of brass bands while at the same time incorporating modern music into their show. Their signature brand of heavy funk has placed them among the world’s top brass bands and they are the hands-down favorite among the younger generation. In reference to the sometimes stringent competition amongst brass bands, Offbeat magazine remarked, “…it’s clear that
ReBirth, which boasts 10 albums and has traveled the world, is the band to beat (July 2001).”
|
SOME
ACCOMPLISHMENTS OVER THE PAST 25 YEARS
| ● |
Over 20 tours of Europe, 4 tours of Japan, and a 6 week tour in Africa |
| ● |
Has shared the stage with The Grateful Dead, the Meters, George Clinton and the P-Funk All-Stars, Maceo Parker, Dr. John, The Ohio
Players, and a six week tour with Ani DiFranco |
| ● |
Performances at virtually every major festival in the U.S. and Europe including New Orleans Jazz and Heritage Festival,
Bonnaroo, Austin City Limits, Roskilde, Glastonbury Festival, Montreaux Jazz Festival, North Sea Jazz Festival and the Nice (France) Jazz Festival |
| ● |
Selling out multiple nights at the Great American Music Hall in San Francisco; The Knitting Factory in New York City; The Fox Theater in Boulder, CO; Smith’s Olde Bar in Atlanta; The House of Blues in Boston; Park West in Chicago; and virtually every venue in New
Orleans. |
| ● |
Two compositions on the soundtrack for Eddie Murphy’s film
Boomerang |
| ● |
Appeared in a club scene in the Kate Hudson film Skeleton Key |
|
|
|